{"id":221565,"date":"2019-08-30T14:15:25","date_gmt":"2019-08-30T19:15:25","guid":{"rendered":"https:\/\/circulart.org\/2019\/?p=221565"},"modified":"2020-08-18T14:57:32","modified_gmt":"2020-08-18T14:57:32","slug":"conoce-al-equipo-curatorial-de-circulart2019","status":"publish","type":"post","link":"https:\/\/circulart.org\/2026\/conoce-al-equipo-curatorial-de-circulart2019\/","title":{"rendered":"\u00a1Conoce al equipo curatorial de #Circulart2019!"},"content":{"rendered":"

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Cada a\u00f1o los artistas para la Rueda de Negocios y muestras art\u00edsticas de Circulart son escogidos por una terna especializada que analiza las propuestas presentadas a nuestra convocatoria. Este equipo experto califica el material presentado para dar su veredicto final y darle la oportunidad a m\u00fasicos, m\u00fasicas, sellos discogr\u00e1ficos, agencias de booking y management de participar en los espacios m\u00e1s profesionales y esperados de nuestro mercado.<\/span><\/p>\n

La misi\u00f3n no es nada f\u00e1cil, escoger dentro de una amplia gama de g\u00e9neros, subg\u00e9neros, sonidos, culturas,pa\u00edses y contextos latinoamericanos a un pu\u00f1ado de exponentes que podr\u00e1n gestionar dentro de nuestra plataforma tecnol\u00f3gica, citas con los programadore(a)s, p<\/span>romotores(as), productores(as), curadores(as), o directores(as) art\u00edsticos(as) de festivales y espacios culturales con programaci\u00f3n permanente, para sentarse en nuestra Rueda de Negocios, presentar sus propuestas y abrir oportunidades de negociaci\u00f3n para sus carreras art\u00edsticas.<\/span><\/p>\n

\u00bfPero y qui\u00e9nes asumieron esta misi\u00f3n para #Circulart2019?<\/strong><\/p>\n

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[\/et_pb_sidebar][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=\u00bb0|0px|0|0px|true|false\u00bb _builder_version=\u00bb3.21″ width=\u00bb80%\u00bb max_width=\u00bb1080px\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb3.21″ custom_padding__hover=\u00bb|||\u00bb custom_padding=\u00bb|||\u00bb][et_pb_divider _builder_version=\u00bb3.21″ custom_margin=\u00bb2%||2%||true\u00bb]<\/p>\n

[\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=\u00bb0|0px|0px|0px|false|false\u00bb _builder_version=\u00bb3.21″ width=\u00bb80%\u00bb max_width=\u00bb1080px\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb3.21″ custom_padding__hover=\u00bb|||\u00bb custom_padding=\u00bb|||\u00bb][et_pb_text _builder_version=\u00bb3.21″ text_font=\u00bb||||||||\u00bb text_font_size=\u00bb19px\u00bb text_orientation=\u00bbcenter\u00bb]<\/p>\n

Maria Clara Espinel<\/b><\/p>\n

Comunicadora Social, Productora audiovisual, Gestora cultural, manager y booker<\/b><\/p>\n

Colombia<\/b><\/p>\n

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Lleva m\u00e1s de 20 a\u00f1os trabajando como representante de m\u00fasicos en Colombia y en el mundo. Ha sido representante de agrupaciones colombianas como Ultr\u00e1geno, Bomba Est\u00e9reo, Bajotierra, Pedrina y Rio entre otros, actualmente representa a La Chiva Gantiva agrupaci\u00f3n Colombo – Belga y la Espa\u00f1ola Ruth Lorenzo. Actualmente es la CEO de su empresa de comunicaciones, booking y management MCE Entertainment y es la directora del departamento de Management de Concert Studios en Barcelona, Espa\u00f1a.
<\/b><\/p>\n

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[\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb3.21″ width=\u00bb80%\u00bb max_width=\u00bb1080px\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb3.21″ custom_padding__hover=\u00bb|||\u00bb custom_padding=\u00bb|||\u00bb][et_pb_text _builder_version=\u00bb3.21″ text_font=\u00bb||||||||\u00bb text_font_size=\u00bb18px\u00bb text_orientation=\u00bbcenter\u00bb]<\/p>\n

Enrique Blanc<\/b><\/p>\n

Periodista y escritor<\/b><\/p>\n

M\u00e9xico<\/b><\/p>\n

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<\/b><\/p>\n

Sus textos se publican en diarios y revistas de su pa\u00eds y el extranjero como Reforma, Milenio, Marvin y la espa\u00f1ola Zona de Obras, entre otras. Conduce y produce <\/span>Radio al Cubo <\/span><\/i>en Radio Universidad de Guadalajara, y el programa de televisi\u00f3n <\/span>Urban Beat <\/span><\/i>en Canal 44. Autor de <\/span>Flashback. La aventura del periodismo musical <\/span><\/i>y del libro de relatos <\/span>Sudor a\u00f1ejo y sardina, <\/span><\/i>entre otros t\u00edtulos.<\/span> Recientemente ha publicado <\/span>Caf\u00e9 Tacvba. Bailando por nuestra cuenta <\/span><\/i>con Editorial Planeta.<\/span><\/p>\n

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Antonio Guti\u00e9rrez<\/b><\/p>\n

Periodista y Productor Cultural<\/b><\/p>\n

Brasil<\/b><\/p>\n

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Antonio Guti\u00e9rrez es director del Festival Rec-Beat, uno de los m\u00e1s importantes festivales de la m\u00fasica independiente de Brasil. Este evento ocurre durante el Carnaval de la ciudad de Recife, Pernambuco, y\u00a0 el pr\u00f3ximo a\u00f1o celebra 25 a\u00f1os de existencia. Tambi\u00e9n <\/span>es creador y director de otros dos<\/span> reconocidos festivales: ANIMAGE \u2013 Festival Internacional de Animaci\u00f3n de Pernambuco y CONTINUUM \u2013 Festival de Arte y Tecnolog\u00eda de Recife. Es miembro-fundador de la Asociaci\u00f3n para el Desarrollo de la Industria de la M\u00fasica Iberoamericana- ADIMI y miembro de la <\/span>Asociaci\u00f3n Latinoamericana de Managers Musicales (MMFLatam).<\/span>
<\/b><\/p>\n

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[\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section bb_built=\u00bb1″ _builder_version=\u00bb3.21″ inner_width=\u00bbauto\u00bb inner_max_width=\u00bb1080px\u00bb prev_background_color=\u00bb#000000″][et_pb_row _builder_version=\u00bb3.21″ width=\u00bb80%\u00bb max_width=\u00bb1080px\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb3.21″ custom_padding__hover=\u00bb|||\u00bb custom_padding=\u00bb|||\u00bb][et_pb_text _builder_version=\u00bb3.21″ text_font=\u00bb||||||||\u00bb text_orientation=\u00bbjustified\u00bb]<\/p>\n

Desde Circulart, hablamos con Maria Clara Espinel sobre este proceso curatorial de la selecci\u00f3n oficial de\u00a0 estos #10A\u00f1osDeCirculart:<\/span><\/p>\n

Circulart: Hay siempre una gran curiosidad sobre lo que busca un(a) curador(a) a la hora de seleccionar propuestas para un mercado o festival \u00bfQu\u00e9 tuviste en cuenta a la hora de calificar?<\/b><\/p>\n

Mar\u00eda Clara Espinel<\/b>: <\/span>B\u00e1sicamente los criterios de evaluaci\u00f3n de circulart fueron mi gu\u00eda para la selecci\u00f3n. Me parece muy importante la calidad de lo que se presenta (grabaciones, grabaciones audiovisuales en vivo, informaci\u00f3n que demuestra que es una agrupaci\u00f3n con deseos de crecimiento profesional, trayectoria etc)<\/span><\/i><\/p>\n

\u00bfQu\u00e9 piensas sobre la oferta de artistas y agrupaciones que se presentaron a esta edici\u00f3n de Circulart?<\/b><\/p>\n

Mar\u00eda Clara Espinel: <\/b>Me impresion\u00f3 la cantidad de artistas de Latinoam\u00e9rica, la gran oferta presentada por Argentina. Hay mucha diversidad.\u00a0\u00a0<\/span><\/i><\/p>\n

\u00bfQu\u00e9 le dir\u00edas a las propuestas que no fueron seleccionadas?<\/b><\/p>\n

Mar\u00eda Clara Espinel: <\/b>Que trabajen para construir un mejor EPK, que definan bien sus objetivos profesionales, eso ayuda mucho para mejorar la calidad de lo que presentan. Busquen la diferencia frente a artistas del mismo g\u00e9nero. Destaquen esto.\u00a0<\/span><\/i><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Cada a\u00f1o los artistas para la Rueda de Negocios y muestras art\u00edsticas de Circulart son escogidos por una terna especializada que analiza las propuestas presentadas a nuestra convocatoria. 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