{"id":243371,"date":"2026-06-04T17:19:38","date_gmt":"2026-06-04T22:19:38","guid":{"rendered":"https:\/\/circulart.org\/2026\/?page_id=243371"},"modified":"2026-06-05T19:21:41","modified_gmt":"2026-06-06T00:21:41","slug":"conversaciones-sedd-circulartlab","status":"publish","type":"page","link":"https:\/\/circulart.org\/2026\/conversaciones-sedd-circulartlab\/","title":{"rendered":"CONVERSACIONES-SEDD-CIRCULARTLAB"},"content":{"rendered":"

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Seminario de Derechos Digitales (SEDD)<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb text_font=\u00bb|800||on|||||\u00bb text_text_color=\u00bb#ffffff\u00bb text_font_size=\u00bb25px\u00bb text_line_height=\u00bb1em\u00bb text_orientation=\u00bbcenter\u00bb width_tablet=\u00bb\u00bb width_phone=\u00bb100%\u00bb width_last_edited=\u00bbon|phone\u00bb max_width_tablet=\u00bb\u00bb max_width_phone=\u00bb\u00bb max_width_last_edited=\u00bbon|phone\u00bb module_alignment=\u00bbcenter\u00bb custom_margin=\u00bb10px||||false|false\u00bb custom_padding=\u00bb5px||0px||false|false\u00bb hover_enabled=\u00bb0″ text_font_size_tablet=\u00bb11px\u00bb text_font_size_phone=\u00bb20px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb text_line_height_tablet=\u00bb\u00bb text_line_height_phone=\u00bb1em\u00bb text_line_height_last_edited=\u00bbon|phone\u00bb text_orientation_tablet=\u00bb\u00bb text_orientation_phone=\u00bbcenter\u00bb text_orientation_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb disabled_on=\u00bbon|on|on\u00bb disabled=\u00bbon\u00bb sticky_enabled=\u00bb0″]<\/p>\n

\u00bfA\u00daN NO TE REGISTRAS?<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/live.eventtia.com\/es\/uri-077c5d19-4f38-4″ url_new_window=\u00bbon\u00bb button_text=\u00bbHazlo Aqu\u00ed\u00bb button_alignment=\u00bbcenter\u00bb disabled_on=\u00bbon|on|on\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb custom_button=\u00bbon\u00bb button_text_color=\u00bb#000000″ button_bg_color=\u00bb#fbfb00″ button_border_width=\u00bb0px\u00bb button_border_radius=\u00bb20px\u00bb button_font=\u00bb|600|||||||\u00bb custom_margin=\u00bb10px||0px||false|false\u00bb custom_padding=\u00bb0px||0px||true|false\u00bb hover_enabled=\u00bb0″ custom_css_main_element=\u00bbwidth:30%\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb custom_css_main_element_last_edited=\u00bbon|phone\u00bb custom_css_main_element_phone=\u00bbwidth:80%\u00bb custom_css_main_element_tablet=\u00bbwidth:30%\u00bb disabled=\u00bbon\u00bb sticky_enabled=\u00bb0″][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||||false|false\u00bb custom_padding=\u00bb0px||||false|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_code _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]

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Presentaci\u00f3n del Cluster de Industrias Culturales y Creativas<\/h3>\n\n
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\n \ud83d\udcc5<\/span>\n 05-06-2026 Viernes<\/span>\n <\/div>\n
\n \ud83d\udd52<\/span>\n 08:00 - 08:30<\/span>\n <\/div>\n
\n \ud83d\udccd<\/span>\n Auditorio de C\u00e1mara de Comercio de Medell\u00edn<\/span>\n <\/div>\n <\/div>\n <\/div>\n\n \n
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Presentaci\u00f3n de la hoja de ruta dise\u00f1ada por la Alcald\u00eda de Medell\u00edn y la C\u00e1mara de Comercio de Medell\u00edn para Antioquia, que busca fortalecer las capacidades empresariales del sector musical de la ciudad: su desarrollo econ\u00f3mico y sostenibilidad en el tiempo.<\/p>
<\/td>Diego Felipe Cifuentes<\/strong>(Cluster de Industrias Creativas,
C\u00e1mara de Comercio de Medell\u00edn
para Antioquia - Colombia)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n <\/div>\n\n \n
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<\/td>Diego Felipe Cifuentes<\/strong>(Cluster de Industrias Creativas,
C\u00e1mara de Comercio de Medell\u00edn
para Antioquia - Colombia)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n \n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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\u00bfQui\u00e9n est\u00e1 en los datos? Diversidad cultural e IA en la m\u00fasica latinoamericana<\/h3>\n\n
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\n \ud83d\udcc5<\/span>\n 05-06-2026 Viernes<\/span>\n <\/div>\n
\n \ud83d\udd52<\/span>\n 08:30 - 09:30<\/span>\n <\/div>\n
\n \ud83d\udccd<\/span>\n Auditorio de C\u00e1mara de Comercio de Medell\u00edn<\/span>\n <\/div>\n <\/div>\n <\/div>\n\n \n
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Discusi\u00f3n sobre los sesgos culturales en los modelos de IA y la urgencia de construir repositorios de datos que representen la diversidad musical de Am\u00e9rica Latina. Qui\u00e9n produce los datos, qu\u00e9 m\u00fasicas quedan fuera de los algoritmos y c\u00f3mo avanzar hacia modelos m\u00e1s inclusivos.<\/p>
<\/td>Iv\u00e1n Benavides<\/strong>(Productor Musical - Colombia)<\/span><\/td><\/tr>
<\/td>Nicol\u00e1s Madoery<\/strong>(FUTURX - Argentina)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n <\/div>\n\n \n
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<\/td>Iv\u00e1n Benavides<\/strong>(Productor Musical - Colombia)<\/span><\/td><\/tr>
<\/td>Nicol\u00e1s Madoery<\/strong>(FUTURX - Argentina)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n \n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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Protocolos \u00e9ticos y legales para el uso de la IA en la m\u00fasica<\/h3>\n\n
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\n \ud83d\udcc5<\/span>\n 05-06-2026 Viernes<\/span>\n <\/div>\n
\n \ud83d\udd52<\/span>\n 09:30 - 10:30<\/span>\n <\/div>\n
\n \ud83d\udccd<\/span>\n Auditorio de C\u00e1mara de Comercio de Medell\u00edn<\/span>\n <\/div>\n <\/div>\n <\/div>\n\n \n
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An\u00e1lisis del impacto de la IA en los modelos de negocio, la propiedad intelectual y los marcos regulatorios. Se construyen principios y protocolos que orienten un uso \u00e9tico, transparente y justo de la IA en la industria musical iberoamericana.<\/p>
<\/td>Guilherme Sampaio<\/strong>(Smart Rights - Brasil)<\/span><\/td><\/tr>
<\/td>Nicol\u00e1s Madoery<\/strong>(FUTURX - Argentina)<\/span><\/td><\/tr>
<\/td>Daniel Gonz\u00e1lez<\/strong>(ACODEM - Colombia)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n <\/div>\n\n \n
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<\/td>Guilherme Sampaio<\/strong>(Smart Rights - Brasil)<\/span><\/td><\/tr>
<\/td>Nicol\u00e1s Madoery<\/strong>(FUTURX - Argentina)<\/span><\/td><\/tr>
<\/td>Daniel Gonz\u00e1lez<\/strong>(ACODEM - Colombia)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n \n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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Herramientas de IA para optimizar flujos de trabajo en m\u00fasica para sincronizaci\u00f3n<\/h3>\n\n
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\n \ud83d\udcc5<\/span>\n 05-06-2026 Viernes<\/span>\n <\/div>\n
\n \ud83d\udd52<\/span>\n 10:30 - 11:30<\/span>\n <\/div>\n
\n \ud83d\udccd<\/span>\n Auditorio de C\u00e1mara de Comercio de Medell\u00edn<\/span>\n <\/div>\n <\/div>\n <\/div>\n\n \n
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Exploraci\u00f3n pr\u00e1ctica de c\u00f3mo las herramientas de IA transforman el mercado de sincronizaci\u00f3n: b\u00fasqueda, catalogaci\u00f3n, pitching y negociaci\u00f3n de licencias. Flujos de trabajo concretos para artistas y sellos independientes.<\/p>
<\/td>Dan Zlotnik<\/strong>(Compositor - Italia\/M\u00e9xico)<\/span><\/td><\/tr>
<\/td>Harold Guerrero<\/strong>(Synclat - Colombia)<\/span><\/td><\/tr>
<\/td>Patricia Carrera<\/strong>(Control Freaks - M\u00e9xico\/Espa\u00f1a)<\/span><\/td><\/tr>
<\/td>Camilo Sanabria<\/strong>(Compositor - Colombia)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n <\/div>\n\n \n
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<\/td>Dan Zlotnik<\/strong>(Compositor - Italia\/M\u00e9xico)<\/span><\/td><\/tr>
<\/td>Harold Guerrero<\/strong>(Synclat - Colombia)<\/span><\/td><\/tr>
<\/td>Patricia Carrera<\/strong>(Control Freaks - M\u00e9xico\/Espa\u00f1a)<\/span><\/td><\/tr>
<\/td>Camilo Sanabria<\/strong>(Compositor - Colombia)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n \n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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IA al servicio del marketing musical<\/h3>\n\n
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\n \ud83d\udcc5<\/span>\n 05-06-2026 Viernes<\/span>\n <\/div>\n
\n \ud83d\udd52<\/span>\n 11:30 - 12:30<\/span>\n <\/div>\n
\n \ud83d\udccd<\/span>\n Auditorio de C\u00e1mara de Comercio de Medell\u00edn<\/span>\n <\/div>\n <\/div>\n <\/div>\n\n \n
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Revisi\u00f3n de herramientas de IA para estrategias de marketing musical: an\u00e1lisis de audiencias, contenido automatizado, campa\u00f1as de distribuci\u00f3n y posicionamiento digital. Enfoque pr\u00e1ctico orientado al artista independiente y a equipos creativos.<\/p>
<\/td>Lilian Cazares<\/strong>(MeetMargo - M\u00e9xico)<\/span><\/td><\/tr>
<\/td>Modera Jaime Su\u00e1rez<\/strong>(La Pascasia - Colombia)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n <\/div>\n\n \n
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<\/td>Lilian Cazares<\/strong>(MeetMargo - M\u00e9xico)<\/span><\/td><\/tr>
<\/td>Modera Jaime Su\u00e1rez<\/strong>(La Pascasia - Colombia)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n \n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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Crear con IA: nuevos lenguajes para el artista<\/h3>\n\n
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\n \ud83d\udcc5<\/span>\n 05-06-2026 Viernes<\/span>\n <\/div>\n
\n \ud83d\udd52<\/span>\n 12:30 - 13:30<\/span>\n <\/div>\n
\n \ud83d\udccd<\/span>\n Auditorio de C\u00e1mara de Comercio de Medell\u00edn<\/span>\n <\/div>\n <\/div>\n <\/div>\n\n \n
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Espacio reflexivo sobre c\u00f3mo la IA ampl\u00eda los procesos creativos en la m\u00fasica: composici\u00f3n, co-escritura, producci\u00f3n y performance. Se presentan casos reales y metodolog\u00edas que evidencian la IA como aliada creativa, no como sustituto del artista.<\/p>
<\/td>Carmen Gil<\/strong>(La Quinta del Lobo - Colombia)<\/span><\/td><\/tr>
<\/td>Dan Zlotnik<\/strong>(Compositor - Italia\/M\u00e9xico)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n <\/div>\n\n \n
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<\/td>Carmen Gil<\/strong>(La Quinta del Lobo - Colombia)<\/span><\/td><\/tr>
<\/td>Dan Zlotnik<\/strong>(Compositor - Italia\/M\u00e9xico)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n \n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n [\/et_pb_code][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb background_image=\u00bbhttps:\/\/circulart.org\/2026\/wp-content\/uploads\/2026\/04\/Fondos-WEB-CIrculart-2026-1.3-1.png\u00bb parallax=\u00bbon\u00bb parallax_method=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row custom_padding_last_edited=\u00bbon|phone\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||0px||false|false\u00bb custom_margin_tablet=\u00bb0px||0px||false|false\u00bb custom_margin_phone=\u00bb0px||0px||false|false\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb custom_padding=\u00bb0px||0px||false|false\u00bb custom_padding_tablet=\u00bb0px||0px||false|false\u00bb custom_padding_phone=\u00bb0px||||false|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/circulart.org\/2026\/wp-content\/uploads\/2026\/06\/logo-conversaciones.png\u00bb title_text=\u00bblogo-conversaciones\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||||false|false\u00bb custom_padding=\u00bb0px||||false|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_code _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]
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Medell\u00edn Capital Creativa<\/h3>\n\n
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\n \ud83d\udcc5<\/span>\n 04-06-2026 Jueves<\/span>\n <\/div>\n
\n \ud83d\udd52<\/span>\n 19:00 - 20:00<\/span>\n <\/div>\n
\n \ud83d\udccd<\/span>\n La Pascasia<\/span>\n <\/div>\n <\/div>\n <\/div>\n\n \n
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La secretaria de Desarrollo Econ\u00f3mico y los secretarios de Juventud y Cultura Ciudadana de la Alcald\u00eda de Medell\u00edn conversan con el director de Circulart sobre le iniciativa Medell\u00edn Capital Creativa.
<\/p>
<\/td>Ricardo Jaramillo V\u00e9lez<\/strong>(Secretario de
Juventud de Medell\u00edn)<\/span><\/td><\/tr>
<\/td>Maria Fernanda
Galeano Rojo<\/strong>(Secretaria de Desarrollo
Econ\u00f3mico de Medell\u00edn)<\/span><\/td><\/tr>
<\/td>Santiago Silva Jaramillo<\/strong>(Secretario de Cultura
 Ciudadana de Medell\u00edn)<\/span><\/td><\/tr>
<\/td>Octavio Arbel\u00e1ez<\/strong>(Director de Circulart \u2013 Colombia)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n <\/div>\n\n \n
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<\/td>Ricardo Jaramillo V\u00e9lez<\/strong>(Secretario de
Juventud de Medell\u00edn)<\/span><\/td><\/tr>
<\/td>Maria Fernanda
Galeano Rojo<\/strong>(Secretaria de Desarrollo
Econ\u00f3mico de Medell\u00edn)<\/span><\/td><\/tr>
<\/td>Santiago Silva Jaramillo<\/strong>(Secretario de Cultura
 Ciudadana de Medell\u00edn)<\/span><\/td><\/tr>
<\/td>Octavio Arbel\u00e1ez<\/strong>(Director de Circulart \u2013 Colombia)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n \n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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\u00a1Que viva la m\u00fasica!<\/h3>\n\n
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\n \ud83d\udcc5<\/span>\n 04-06-2026 Jueves<\/span>\n <\/div>\n
\n \ud83d\udd52<\/span>\n 20:00 - 21:00<\/span>\n <\/div>\n
\n \ud83d\udccd<\/span>\n La Pascasia<\/span>\n <\/div>\n <\/div>\n <\/div>\n\n \n
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Una conversaci\u00f3n que celebra las vidas que giran en torno a los surcos de los lps de todos los tiempos en las voces de Jaime Andr\u00e9s Monsalve, el periodista musical m\u00e1s importante de Colombia, que conversar\u00e1 con Jos\u00e9 Juli\u00e1n Villa, un m\u00fasico de referencia de la escena musical de Medell\u00edn.<\/p>
<\/td>Jaime Monsalve<\/strong>(Radio Nacional de
Colombia - Colombia)<\/span><\/td><\/tr>
<\/td>Jos\u00e9 Juli\u00e1n Villa<\/strong>(La Pascasia - Colombia)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n <\/div>\n\n \n
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<\/td>Jaime Monsalve<\/strong>(Radio Nacional de
Colombia - Colombia)<\/span><\/td><\/tr>
<\/td>Jos\u00e9 Juli\u00e1n Villa<\/strong>(La Pascasia - Colombia)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n \n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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Ley de la M\u00fasica<\/h3>\n\n
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\n \ud83d\udcc5<\/span>\n 05-06-2026 Viernes<\/span>\n <\/div>\n
\n \ud83d\udd52<\/span>\n 19:00 - 20:00<\/span>\n <\/div>\n
\n \ud83d\udccd<\/span>\n Caf\u00e9 del Teatro Pablo Tob\u00f3n Uribe<\/span>\n <\/div>\n <\/div>\n <\/div>\n\n \n
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El proyecto de ley de m\u00fasica busca fortalecer, promover, dignificar y reconocer el oficio de las artes musicales en Colombia. Para tal fin se reconocen las bondades de la m\u00fasica y los beneficios que trae esta tradici\u00f3n en la identidad cultural y en la construcci\u00f3n de ciudadan\u00eda. Principalmente se propone el desarrollo de la inversi\u00f3n p\u00fablica y del apoyo de las instituciones del Estado en el sector cultural. Tambi\u00e9n pretende fomentar las pr\u00e1cticas musicales a trav\u00e9s de diferentes mecanismos.<\/p>
<\/td>Daniel Carvalho<\/strong>(Representante a la C\u00e1mara - Colombia)<\/span><\/td><\/tr>
<\/td>Octavio Arbel\u00e1ez<\/strong>(Director de Circulart - Colombia)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n <\/div>\n\n \n
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<\/td>Daniel Carvalho<\/strong>(Representante a la C\u00e1mara - Colombia)<\/span><\/td><\/tr>
<\/td>Octavio Arbel\u00e1ez<\/strong>(Director de Circulart - Colombia)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n \n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n [\/et_pb_code][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb background_image=\u00bbhttps:\/\/circulart.org\/2026\/wp-content\/uploads\/2026\/04\/Fondos-WEB-CIrculart-2026-1.3-1.png\u00bb parallax=\u00bbon\u00bb parallax_method=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row custom_padding_last_edited=\u00bbon|phone\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||0px||false|false\u00bb custom_margin_tablet=\u00bb0px||0px||false|false\u00bb custom_margin_phone=\u00bb0px||0px||false|false\u00bb custom_margin_last_edited=\u00bbon|desktop\u00bb custom_padding=\u00bb0px||0px||false|false\u00bb custom_padding_tablet=\u00bb0px||0px||false|false\u00bb custom_padding_phone=\u00bb0px||||false|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/circulart.org\/2026\/wp-content\/uploads\/2026\/06\/logo-circulart-lab.png\u00bb title_text=\u00bblogo-circulart-lab\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||||false|false\u00bb custom_padding=\u00bb0px||||false|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_code _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb]
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An\u00e1lisis de herramientas de IA en composici\u00f3n y producci\u00f3n de m\u00fasica para cine. Alcances y uso \u00e9tico<\/h3>\n\n
\n \n
\n
\n
\n \ud83d\udcc5<\/span>\n 06-06-2026 S\u00e1bado<\/span>\n <\/div>\n
\n \ud83d\udd52<\/span>\n 09:00 - 10:30<\/span>\n <\/div>\n
\n \ud83d\udccd<\/span>\n Zarzo del Centro Cultural Claustro Comfama<\/span>\n <\/div>\n <\/div>\n <\/div>\n\n \n
\n
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Discusi\u00f3n sobre las posibilidades que ofrecen las herramientas de inteligencia artificial para la composici\u00f3n y producci\u00f3n de m\u00fasica y c\u00f3mo utilizarlas correctamente. Se analizar\u00e1 cu\u00e1ndo es posible utilizar estas herramientas y cu\u00e1ndo no, y c\u00f3mo hacerlo para que no existan riesgos, con el fin de que los asistentes puedan tomar decisiones informadas a la hora de utilizar estas herramientas.<\/p>
<\/td>Dan Zlotnik<\/strong>(Compositor - Italia\/M\u00e9xico)<\/span><\/td><\/tr>
<\/td>Patricia Carrera<\/strong>(Control Freaks - M\u00e9xico\/Espa\u00f1a)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n <\/div>\n\n \n
\n
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<\/td>Dan Zlotnik<\/strong>(Compositor - Italia\/M\u00e9xico)<\/span><\/td><\/tr>
<\/td>Patricia Carrera<\/strong>(Control Freaks - M\u00e9xico\/Espa\u00f1a)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n \n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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Introducci\u00f3n a los profesionales detr\u00e1s de la composici\u00f3n para cine: puertas de entrada a el negocio<\/h3>\n\n
\n \n
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\n \ud83d\udcc5<\/span>\n 06-06-2026 S\u00e1bado<\/span>\n <\/div>\n
\n \ud83d\udd52<\/span>\n 10:30 - 12:00<\/span>\n <\/div>\n
\n \ud83d\udccd<\/span>\n Zarzo del Centro Cultural Claustro Comfama<\/span>\n <\/div>\n <\/div>\n <\/div>\n\n \n
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Exploraci\u00f3n sobre los diferentes actores en la intersecci\u00f3n entre m\u00fasica y medios audiovisuales. Se explicar\u00e1 las funciones de estos actores, las decisiones que toman, y la forma en la que trabajan, para entender c\u00f3mo nuevos compositores pueden ingresar al negocio.<\/p>
<\/td>Dan Zlotnik<\/strong>(Compositor - Italia\/M\u00e9xico)<\/span><\/td><\/tr>
<\/td>Patricia Carrera<\/strong>(Control Freaks - M\u00e9xico\/Espa\u00f1a)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n <\/div>\n\n \n
\n
\n
<\/td>Dan Zlotnik<\/strong>(Compositor - Italia\/M\u00e9xico)<\/span><\/td><\/tr>
<\/td>Patricia Carrera<\/strong>(Control Freaks - M\u00e9xico\/Espa\u00f1a)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n \n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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Del cat\u00e1logo al placement: c\u00f3mo trabajan publishers y supervisores musicales<\/h3>\n\n
\n \n
\n
\n
\n \ud83d\udcc5<\/span>\n 06-06-2026 S\u00e1bado<\/span>\n <\/div>\n
\n \ud83d\udd52<\/span>\n 12:00 - 13:00<\/span>\n <\/div>\n
\n \ud83d\udccd<\/span>\n Zarzo del Centro Cultural Claustro Comfama<\/span>\n <\/div>\n <\/div>\n <\/div>\n\n \n
\n
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Una conversaci\u00f3n sobre c\u00f3mo realmente funciona el sync detr\u00e1s de un cat\u00e1logo global. Junto a Warner Chappell exploraremos el trabajo operativo, creativo y estrat\u00e9gico que conecta publishers y supervisores musicales: desde metadata, pitching y clearance, hasta la velocidad, las relaciones y los retos reales de cerrar placements en la industria audiovisual actual.<\/p>
<\/td>Paola Trujillo<\/strong>(Supervisora Musical - Colombia)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n <\/div>\n\n \n
\n
\n
<\/td>Paola Trujillo<\/strong>(Supervisora Musical - Colombia)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n \n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n [\/et_pb_code][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Seminario de Derechos Digitales (SEDD)\u00bfA\u00daN NO TE REGISTRAS?

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Presentaci\u00f3n del Cluster de Industrias Culturales y Creativas<\/h3>\n\n
\n \n
\n
\n
\n \ud83d\udcc5<\/span>\n 05-06-2026 Viernes<\/span>\n <\/div>\n
\n \ud83d\udd52<\/span>\n 08:00 - 08:30<\/span>\n <\/div>\n
\n \ud83d\udccd<\/span>\n Auditorio de C\u00e1mara de Comercio de Medell\u00edn<\/span>\n <\/div>\n <\/div>\n <\/div>\n\n \n
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Presentaci\u00f3n de la hoja de ruta dise\u00f1ada por la Alcald\u00eda de Medell\u00edn y la C\u00e1mara de Comercio de Medell\u00edn para Antioquia, que busca fortalecer las capacidades empresariales del sector musical de la ciudad: su desarrollo econ\u00f3mico y sostenibilidad en el tiempo.<\/p>
<\/td>Diego Felipe Cifuentes<\/strong>(Cluster de Industrias Creativas,
C\u00e1mara de Comercio de Medell\u00edn
para Antioquia - Colombia)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n <\/div>\n\n \n
\n
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<\/td>Diego Felipe Cifuentes<\/strong>(Cluster de Industrias Creativas,
C\u00e1mara de Comercio de Medell\u00edn
para Antioquia - Colombia)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n \n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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\u00bfQui\u00e9n est\u00e1 en los datos? Diversidad cultural e IA en la m\u00fasica latinoamericana<\/h3>\n\n
\n \n
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\n \ud83d\udcc5<\/span>\n 05-06-2026 Viernes<\/span>\n <\/div>\n
\n \ud83d\udd52<\/span>\n 08:30 - 09:30<\/span>\n <\/div>\n
\n \ud83d\udccd<\/span>\n Auditorio de C\u00e1mara de Comercio de Medell\u00edn<\/span>\n <\/div>\n <\/div>\n <\/div>\n\n \n
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Discusi\u00f3n sobre los sesgos culturales en los modelos de IA y la urgencia de construir repositorios de datos que representen la diversidad musical de Am\u00e9rica Latina. Qui\u00e9n produce los datos, qu\u00e9 m\u00fasicas quedan fuera de los algoritmos y c\u00f3mo avanzar hacia modelos m\u00e1s inclusivos.<\/p>
<\/td>Iv\u00e1n Benavides<\/strong>(Productor Musical - Colombia)<\/span><\/td><\/tr>
<\/td>Nicol\u00e1s Madoery<\/strong>(FUTURX - Argentina)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n <\/div>\n\n \n
\n
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<\/td>Iv\u00e1n Benavides<\/strong>(Productor Musical - Colombia)<\/span><\/td><\/tr>
<\/td>Nicol\u00e1s Madoery<\/strong>(FUTURX - Argentina)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n \n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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Protocolos \u00e9ticos y legales para el uso de la IA en la m\u00fasica<\/h3>\n\n
\n \n
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\n \ud83d\udcc5<\/span>\n 05-06-2026 Viernes<\/span>\n <\/div>\n
\n \ud83d\udd52<\/span>\n 09:30 - 10:30<\/span>\n <\/div>\n
\n \ud83d\udccd<\/span>\n Auditorio de C\u00e1mara de Comercio de Medell\u00edn<\/span>\n <\/div>\n <\/div>\n <\/div>\n\n \n
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An\u00e1lisis del impacto de la IA en los modelos de negocio, la propiedad intelectual y los marcos regulatorios. Se construyen principios y protocolos que orienten un uso \u00e9tico, transparente y justo de la IA en la industria musical iberoamericana.<\/p>
<\/td>Guilherme Sampaio<\/strong>(Smart Rights - Brasil)<\/span><\/td><\/tr>
<\/td>Nicol\u00e1s Madoery<\/strong>(FUTURX - Argentina)<\/span><\/td><\/tr>
<\/td>Daniel Gonz\u00e1lez<\/strong>(ACODEM - Colombia)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n <\/div>\n\n \n
\n
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<\/td>Guilherme Sampaio<\/strong>(Smart Rights - Brasil)<\/span><\/td><\/tr>
<\/td>Nicol\u00e1s Madoery<\/strong>(FUTURX - Argentina)<\/span><\/td><\/tr>
<\/td>Daniel Gonz\u00e1lez<\/strong>(ACODEM - Colombia)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n \n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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Herramientas de IA para optimizar flujos de trabajo en m\u00fasica para sincronizaci\u00f3n<\/h3>\n\n
\n \n
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\n \ud83d\udcc5<\/span>\n 05-06-2026 Viernes<\/span>\n <\/div>\n
\n \ud83d\udd52<\/span>\n 10:30 - 11:30<\/span>\n <\/div>\n
\n \ud83d\udccd<\/span>\n Auditorio de C\u00e1mara de Comercio de Medell\u00edn<\/span>\n <\/div>\n <\/div>\n <\/div>\n\n \n
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Exploraci\u00f3n pr\u00e1ctica de c\u00f3mo las herramientas de IA transforman el mercado de sincronizaci\u00f3n: b\u00fasqueda, catalogaci\u00f3n, pitching y negociaci\u00f3n de licencias. Flujos de trabajo concretos para artistas y sellos independientes.<\/p>
<\/td>Dan Zlotnik<\/strong>(Compositor - Italia\/M\u00e9xico)<\/span><\/td><\/tr>
<\/td>Harold Guerrero<\/strong>(Synclat - Colombia)<\/span><\/td><\/tr>
<\/td>Patricia Carrera<\/strong>(Control Freaks - M\u00e9xico\/Espa\u00f1a)<\/span><\/td><\/tr>
<\/td>Camilo Sanabria<\/strong>(Compositor - Colombia)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n <\/div>\n\n \n
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<\/td>Dan Zlotnik<\/strong>(Compositor - Italia\/M\u00e9xico)<\/span><\/td><\/tr>
<\/td>Harold Guerrero<\/strong>(Synclat - Colombia)<\/span><\/td><\/tr>
<\/td>Patricia Carrera<\/strong>(Control Freaks - M\u00e9xico\/Espa\u00f1a)<\/span><\/td><\/tr>
<\/td>Camilo Sanabria<\/strong>(Compositor - Colombia)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n \n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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IA al servicio del marketing musical<\/h3>\n\n
\n \n
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\n \ud83d\udcc5<\/span>\n 05-06-2026 Viernes<\/span>\n <\/div>\n
\n \ud83d\udd52<\/span>\n 11:30 - 12:30<\/span>\n <\/div>\n
\n \ud83d\udccd<\/span>\n Auditorio de C\u00e1mara de Comercio de Medell\u00edn<\/span>\n <\/div>\n <\/div>\n <\/div>\n\n \n
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Revisi\u00f3n de herramientas de IA para estrategias de marketing musical: an\u00e1lisis de audiencias, contenido automatizado, campa\u00f1as de distribuci\u00f3n y posicionamiento digital. Enfoque pr\u00e1ctico orientado al artista independiente y a equipos creativos.<\/p>
<\/td>Lilian Cazares<\/strong>(MeetMargo - M\u00e9xico)<\/span><\/td><\/tr>
<\/td>Modera Jaime Su\u00e1rez<\/strong>(La Pascasia - Colombia)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n <\/div>\n\n \n
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<\/td>Lilian Cazares<\/strong>(MeetMargo - M\u00e9xico)<\/span><\/td><\/tr>
<\/td>Modera Jaime Su\u00e1rez<\/strong>(La Pascasia - Colombia)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n \n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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Crear con IA: nuevos lenguajes para el artista<\/h3>\n\n
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\n \ud83d\udcc5<\/span>\n 05-06-2026 Viernes<\/span>\n <\/div>\n
\n \ud83d\udd52<\/span>\n 12:30 - 13:30<\/span>\n <\/div>\n
\n \ud83d\udccd<\/span>\n Auditorio de C\u00e1mara de Comercio de Medell\u00edn<\/span>\n <\/div>\n <\/div>\n <\/div>\n\n \n
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Espacio reflexivo sobre c\u00f3mo la IA ampl\u00eda los procesos creativos en la m\u00fasica: composici\u00f3n, co-escritura, producci\u00f3n y performance. Se presentan casos reales y metodolog\u00edas que evidencian la IA como aliada creativa, no como sustituto del artista.<\/p>
<\/td>Carmen Gil<\/strong>(La Quinta del Lobo - Colombia)<\/span><\/td><\/tr>
<\/td>Dan Zlotnik<\/strong>(Compositor - Italia\/M\u00e9xico)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n <\/div>\n\n \n
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<\/td>Carmen Gil<\/strong>(La Quinta del Lobo - Colombia)<\/span><\/td><\/tr>
<\/td>Dan Zlotnik<\/strong>(Compositor - Italia\/M\u00e9xico)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n \n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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Medell\u00edn Capital Creativa<\/h3>\n\n
\n \n
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\n \ud83d\udcc5<\/span>\n 04-06-2026 Jueves<\/span>\n <\/div>\n
\n \ud83d\udd52<\/span>\n 19:00 - 20:00<\/span>\n <\/div>\n
\n \ud83d\udccd<\/span>\n La Pascasia<\/span>\n <\/div>\n <\/div>\n <\/div>\n\n \n
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La secretaria de Desarrollo Econ\u00f3mico y los secretarios de Juventud y Cultura Ciudadana de la Alcald\u00eda de Medell\u00edn conversan con el director de Circulart sobre le iniciativa Medell\u00edn Capital Creativa.
<\/p>
<\/td>Ricardo Jaramillo V\u00e9lez<\/strong>(Secretario de
Juventud de Medell\u00edn)<\/span><\/td><\/tr>
<\/td>Maria Fernanda
Galeano Rojo<\/strong>(Secretaria de Desarrollo
Econ\u00f3mico de Medell\u00edn)<\/span><\/td><\/tr>
<\/td>Santiago Silva Jaramillo<\/strong>(Secretario de Cultura
 Ciudadana de Medell\u00edn)<\/span><\/td><\/tr>
<\/td>Octavio Arbel\u00e1ez<\/strong>(Director de Circulart \u2013 Colombia)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n <\/div>\n\n \n
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<\/td>Ricardo Jaramillo V\u00e9lez<\/strong>(Secretario de
Juventud de Medell\u00edn)<\/span><\/td><\/tr>
<\/td>Maria Fernanda
Galeano Rojo<\/strong>(Secretaria de Desarrollo
Econ\u00f3mico de Medell\u00edn)<\/span><\/td><\/tr>
<\/td>Santiago Silva Jaramillo<\/strong>(Secretario de Cultura
 Ciudadana de Medell\u00edn)<\/span><\/td><\/tr>
<\/td>Octavio Arbel\u00e1ez<\/strong>(Director de Circulart \u2013 Colombia)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n \n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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\u00a1Que viva la m\u00fasica!<\/h3>\n\n
\n \n
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\n \ud83d\udcc5<\/span>\n 04-06-2026 Jueves<\/span>\n <\/div>\n
\n \ud83d\udd52<\/span>\n 20:00 - 21:00<\/span>\n <\/div>\n
\n \ud83d\udccd<\/span>\n La Pascasia<\/span>\n <\/div>\n <\/div>\n <\/div>\n\n \n
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Una conversaci\u00f3n que celebra las vidas que giran en torno a los surcos de los lps de todos los tiempos en las voces de Jaime Andr\u00e9s Monsalve, el periodista musical m\u00e1s importante de Colombia, que conversar\u00e1 con Jos\u00e9 Juli\u00e1n Villa, un m\u00fasico de referencia de la escena musical de Medell\u00edn.<\/p>
<\/td>Jaime Monsalve<\/strong>(Radio Nacional de
Colombia - Colombia)<\/span><\/td><\/tr>
<\/td>Jos\u00e9 Juli\u00e1n Villa<\/strong>(La Pascasia - Colombia)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n <\/div>\n\n \n
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<\/td>Jaime Monsalve<\/strong>(Radio Nacional de
Colombia - Colombia)<\/span><\/td><\/tr>
<\/td>Jos\u00e9 Juli\u00e1n Villa<\/strong>(La Pascasia - Colombia)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n \n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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Ley de la M\u00fasica<\/h3>\n\n
\n \n
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\n \ud83d\udcc5<\/span>\n 05-06-2026 Viernes<\/span>\n <\/div>\n
\n \ud83d\udd52<\/span>\n 19:00 - 20:00<\/span>\n <\/div>\n
\n \ud83d\udccd<\/span>\n Caf\u00e9 del Teatro Pablo Tob\u00f3n Uribe<\/span>\n <\/div>\n <\/div>\n <\/div>\n\n \n
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El proyecto de ley de m\u00fasica busca fortalecer, promover, dignificar y reconocer el oficio de las artes musicales en Colombia. Para tal fin se reconocen las bondades de la m\u00fasica y los beneficios que trae esta tradici\u00f3n en la identidad cultural y en la construcci\u00f3n de ciudadan\u00eda. Principalmente se propone el desarrollo de la inversi\u00f3n p\u00fablica y del apoyo de las instituciones del Estado en el sector cultural. Tambi\u00e9n pretende fomentar las pr\u00e1cticas musicales a trav\u00e9s de diferentes mecanismos.<\/p>
<\/td>Daniel Carvalho<\/strong>(Representante a la C\u00e1mara - Colombia)<\/span><\/td><\/tr>
<\/td>Octavio Arbel\u00e1ez<\/strong>(Director de Circulart - Colombia)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n <\/div>\n\n \n
\n
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<\/td>Daniel Carvalho<\/strong>(Representante a la C\u00e1mara - Colombia)<\/span><\/td><\/tr>
<\/td>Octavio Arbel\u00e1ez<\/strong>(Director de Circulart - Colombia)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n \n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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\n
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An\u00e1lisis de herramientas de IA en composici\u00f3n y producci\u00f3n de m\u00fasica para cine. Alcances y uso \u00e9tico<\/h3>\n\n
\n \n
\n
\n
\n \ud83d\udcc5<\/span>\n 06-06-2026 S\u00e1bado<\/span>\n <\/div>\n
\n \ud83d\udd52<\/span>\n 09:00 - 10:30<\/span>\n <\/div>\n
\n \ud83d\udccd<\/span>\n Zarzo del Centro Cultural Claustro Comfama<\/span>\n <\/div>\n <\/div>\n <\/div>\n\n \n
\n
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Discusi\u00f3n sobre las posibilidades que ofrecen las herramientas de inteligencia artificial para la composici\u00f3n y producci\u00f3n de m\u00fasica y c\u00f3mo utilizarlas correctamente. Se analizar\u00e1 cu\u00e1ndo es posible utilizar estas herramientas y cu\u00e1ndo no, y c\u00f3mo hacerlo para que no existan riesgos, con el fin de que los asistentes puedan tomar decisiones informadas a la hora de utilizar estas herramientas.<\/p>
<\/td>Dan Zlotnik<\/strong>(Compositor - Italia\/M\u00e9xico)<\/span><\/td><\/tr>
<\/td>Patricia Carrera<\/strong>(Control Freaks - M\u00e9xico\/Espa\u00f1a)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n <\/div>\n\n \n
\n
\n
<\/td>Dan Zlotnik<\/strong>(Compositor - Italia\/M\u00e9xico)<\/span><\/td><\/tr>
<\/td>Patricia Carrera<\/strong>(Control Freaks - M\u00e9xico\/Espa\u00f1a)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n \n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n

Introducci\u00f3n a los profesionales detr\u00e1s de la composici\u00f3n para cine: puertas de entrada a el negocio<\/h3>\n\n
\n \n
\n
\n
\n \ud83d\udcc5<\/span>\n 06-06-2026 S\u00e1bado<\/span>\n <\/div>\n
\n \ud83d\udd52<\/span>\n 10:30 - 12:00<\/span>\n <\/div>\n
\n \ud83d\udccd<\/span>\n Zarzo del Centro Cultural Claustro Comfama<\/span>\n <\/div>\n <\/div>\n <\/div>\n\n \n
\n
\n

Exploraci\u00f3n sobre los diferentes actores en la intersecci\u00f3n entre m\u00fasica y medios audiovisuales. Se explicar\u00e1 las funciones de estos actores, las decisiones que toman, y la forma en la que trabajan, para entender c\u00f3mo nuevos compositores pueden ingresar al negocio.<\/p>
<\/td>Dan Zlotnik<\/strong>(Compositor - Italia\/M\u00e9xico)<\/span><\/td><\/tr>
<\/td>Patricia Carrera<\/strong>(Control Freaks - M\u00e9xico\/Espa\u00f1a)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n <\/div>\n\n \n
\n
\n
<\/td>Dan Zlotnik<\/strong>(Compositor - Italia\/M\u00e9xico)<\/span><\/td><\/tr>
<\/td>Patricia Carrera<\/strong>(Control Freaks - M\u00e9xico\/Espa\u00f1a)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n \n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n

Del cat\u00e1logo al placement: c\u00f3mo trabajan publishers y supervisores musicales<\/h3>\n\n
\n \n
\n
\n
\n \ud83d\udcc5<\/span>\n 06-06-2026 S\u00e1bado<\/span>\n <\/div>\n
\n \ud83d\udd52<\/span>\n 12:00 - 13:00<\/span>\n <\/div>\n
\n \ud83d\udccd<\/span>\n Zarzo del Centro Cultural Claustro Comfama<\/span>\n <\/div>\n <\/div>\n <\/div>\n\n \n
\n
\n

Una conversaci\u00f3n sobre c\u00f3mo realmente funciona el sync detr\u00e1s de un cat\u00e1logo global. Junto a Warner Chappell exploraremos el trabajo operativo, creativo y estrat\u00e9gico que conecta publishers y supervisores musicales: desde metadata, pitching y clearance, hasta la velocidad, las relaciones y los retos reales de cerrar placements en la industria audiovisual actual.<\/p>
<\/td>Paola Trujillo<\/strong>(Supervisora Musical - Colombia)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n <\/div>\n\n \n
\n
\n
<\/td>Paola Trujillo<\/strong>(Supervisora Musical - Colombia)<\/span><\/td><\/tr><\/tbody><\/table> <\/div>\n \n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-243371","page","type-page","status-publish","hentry"],"yoast_head":"\nCONVERSACIONES-SEDD-CIRCULARTLAB - Circulart<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/circulart.org\/2026\/conversaciones-sedd-circulartlab\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"CONVERSACIONES-SEDD-CIRCULARTLAB - 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